Collage made from larger tempera paintings cut up with fancy scissor and altered with gesso. Some of the edges were rubbed with copper colored stamping ink. Some stamping with an organic image on the lower part of the more distant mountain.
I had two large tempera paintings from a process painting workshop. Process painting is a spontaneous art process where intuition and the natural creativity of the inner self are invited to play. I liked my big paintings but they were getting damaged just leaning against the wall, and would have cost a fortune to frame. I decided to cut up my paintings into 8 1/2" by 11" pages for my visual journal. Makes great pages of you can deal with the ongoing smell of tempera. Reminds me of my first agency studio as an art therapist where I spent time mixing tempera and working with clients.
I had a number of scraps left over so I took some decorative sheers and began to cut and collage. At first I just had a shape that looked like a prairie dog, but suddenly it began to look like a sunset bathed landscape. The tempera colors were very vivid and raw so I started to experiment with softening the colors with gesso. Since gesso is water soluble I was able to vary my muted colors by using the mixture of tempera and gesso to make a sort of spontaneous gouache. I left one thin strip of tempera colored paper vivid at the bottom. When a glued on that strip it looked like houses and foreground foliage to me. I was struck by the huge beauty of nature in contrast to the "thin band of humanity".